It’s all about choices.
Here’s a piece of music. You probably don’t even need to click on the video to hear it in your head, but give it a listen, at least a little bit.
The glorious Finale to Beethoven’s Symphony No. 9 in d minor, “Ode to Joy.” There is very little like it in Western music. Leonard Bernstein played it with the Berlin Philharmonic at the Berlin Wall after it fell. We know what it stands for.[1]
Here’s another one. You are more than likely not familiar with it, so click and listen to maybe a minute or so.
This is the second movement to Shostakovich’s Symphony No. 10 in e minor, the Allegro.
A little background: In 1936, Shostakovich wrote his Symphony No. 4 — my favorite of his — and it nearly got him killed. After Stalin attended a performance of Shostakovich’s opera Lady Macbeth of Mzensk and hated it, critical and official denunciations of “corrupt” “anti-Soviet” music appeared in the newspapers, and Shostakovich kept a packed bag by the door.
As an extra precaution, he canceled the premiere of No. 4, and we didn’t get to hear it until 1962. He ingratiated himself with his Symphony No. 5 (subtitled “A Soviet Artist’s Reply to Just Criticism,” just in case they didn’t get it), and his wartime symphonies (No. 7 and No. 8) were huge hits.
No. 9, right after the war, was dinged for not being “patriotic” enough, but it was still passable.
So he waited to premiere No. 10 until after Stalin died — and then in 1979, Testimony was published in the West, purporting to be a biography written with Shostakovich’s input and approval. (He died in 1975.) We are still arguing over how much of the book is actually true, including this quote about Symphony No. 10:
“I did depict Stalin in my next symphony, the Tenth. I wrote it right after Stalin’s death and no one has yet guessed what the symphony is about. It’s about Stalin and the Stalin years. The second part, the scherzo, is a musical portrait of Stalin, roughly speaking. Of course, there are many other things in it, but that’s the basis.”
And so I have both of these pieces of music teed up so that I can blast one of them over the quite powerful speakers in my labyrinth, alarming and possibly angering everyone in a three-block radius.
As soon as we know the results of tomorrow’s election. It’s all about choices, innit?
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[1] My other choice would be the Finale to Mahler’s Symphony No. 2. This one, if you aren’t familiar with it, you should listen to the end.