Here you go, Jeff, notes scribbled on the back of a daily Dilbert calendar sheet shortly before going to bed, worthy of George Lichtenberg himself.
First, sixteenth notes, topped by the motif, with the note tense, light strings.
Also: use agitato theme as the dying out end of the 1st section, then pick up violin solo, use Sonatina agitato [treatment, later,] to lead into current heavy section, after it stops, huge tenuto/pickup to total Rachmaninov.
There. Everybody happy?
So maybe I’ll have better luck tonight in getting the opening section to the double bar.
Perfect.
Also, Stephen Czarkowski, my conductor, noted that the heavy section sounded very Shostakovichian.
I’m not sure I wanted anyone to notice that.