Small accomplishments (Day 231/365)

I didn’t have a lot of time to work on anything today. More messing around with the 100 Book Club business at school, but mostly I had promised to emcee the school’s talent show tonight. It was not an ordeal by any means, but it sucked up most of the evening.

So I settled for taking a second look at William Blake’s Inn for Innocent & Experienced Travelers. I figure now that I have a computer that can handle most of what I can think of, it’s time to revisit each of the pieces and see what I left out in each one. It’s mostly going to be percussion, which always used to (and sometimes still does) throw the sound for a loop.

For instance, in William Blake’s Inn, I’ve added a gong to the proceedings. If I get adventurous, I’m thinking about some rolled cymbals and some windchimes as well.

Anyway, it’s posted over at the William Blake page.

Workshop, 3/20 (Day 229/365)

Another productive evening: Marc, Dale, Carol Lee, Laura, and Melissa in attendance.

Carol Lee brought in the latest approximation of the sunflower (no picture yet). More leaves, longer stem. Very nice. Much discussion of how to dye the elastic. Later, Carol Lee had several brain attacks on how to solve the whole stem/leaves/elastic situation. She left early to put those into practice.

Laura had her approximation of the hedgehog costume. We coerced a young dancer into trying it on.

Laura's hedgehogMaggie wearing the hedgehog suit

Laura worked on improving the headpiece into a hood. The texture of the eggshell foam is perfect.

We then worked on visual images, and here are the results:

First, a visual of Marc’s periaktos on steroids:

Marc's periaktos

You’ll notice the extra flaps on every side.

If you calculate carefully, you’ll see that each unit can give us nine different settings, i.e., closed position 1, open position, closed position 2, all times three.

Dale discussed going simpler for the May 3 performance, using single panels, painted on either side, used as puppet-walls. Lots of interesting choreography possibilities with the character/puppeteers manipulating the walls in space as the MMH “bustles through all the rooms.”

For Sun & Moon Circus, we had some beautiful images.

Tiger & Rabbit in jammies

Marc continues his motif of bedtime attire.

Moon on a swing

Marc’s entrance of the Moon: a giant swing-thing, ridden by an angel.

Dale's rabbit

Dale’s rather frightening Rabbit, peering through the window and reassuring whichever character. This painting is unfinished, so perhaps Dale can cuten up the bunny a bit.

Planet Clowns

Dale has the clowns as Pierrot, silver-faced and silver-gloved, playing with the planets, while above an angel walks a tightrope. (Her umbrella is out of the frame, of course.) This clown is turning back to look at us in a bit of choreography Dale says is inspired by the orchestration of the new circus music.

Marc’s idea (from comments on the Lacuna blog) about putting the Tiger, King of Cats, etc., on a circular bed in the middle of the circus gathered steam. They would be projecting sun/moon images from their magic lantern while the circus careened around them. The Rabbit could rotate the bed as ringmaster.

Moving on the Man in the Marmalade Hat, we got a couple of Toastheads:

Marc's Toastheads

Marc’s Toastheads, bearing banners and marching forth.

Melissa's Toastheads

Melissa’s Toasthead, all starched flat and bearing a banner. It’s interesting that both Marc and Melissa have given them ties.

Dale had brought in some trash from Multec, foam of varying dimensions and densities. We considered that if we were able to get some whole pieces of the thinner foam, we might build the Toastheads’ costumes out of that: flat but flexible. Are their movements starched as well?

Next week: more painting/drawing/sketching. Let’s focus on Sun & Moon Circus, since that’s one we need a fairly complete storyboard projection.

Hedgehogs (Day 228/265)

Met with our horde of hedgehogs again today and began teaching them their portion of the Man in the Marmalade Hat choreography. Oh my. This is going to be quite hysterical. They sniffed and slid with gusto, they marched, they did their little jumping tours with complete adorability. Ms. McDonough, their music teacher, could not keep a straight face.

I’ve been thinking, too, that perhaps we could use them in Marmalade Man Makes a Dance as well. I’ll try playing Follow the Leader in the next session. If they can do it, then we just let Galen lead them.

Next step: get the letter prepared to go home to their parents.

Bonus: I played with our “successive approximation” idea.

Successive Approximation

Sunflower waltz (Day 226/365)

Finally.

Either I have finished the sunflower waltz, or I have given up. In any case, I have reached a stopping point and I think I can leave it alone until I have to actually consider giving it to a cast to rehearse in the fall of 2008.

I backed off the first “big” moment and kept the second one. We’ll see how it works. And no, I’m not going to put it online yet. I want to hear it a couple more hundred times first.

Workshop, 3/13 (Day 222/365)

Another workshop, another meeting of brilliant minds: Dale, Marc, Carol Lee, Melissa, Laura, and Mary Frances.

We shared some homework each of us had done re: winter/spring images for the MMH’s banners.

Marc had done some nice sketches of dead leaf/new leaf, snowflake/sun that were good. He had a fun pennant with a hibernating critter on it.

Melissa had a two sided banner, to wit:

Melissa's winter bannerMelissa's spring banner

Dale cheated, just photoshopping a winter tree:Dale's winter tree

Still, the image is compelling, and we thought that maybe this kind of image might be an interesting way to proceed.

Carol Lee went for texture:

Carol's spring bannerCarol's winter banner

Hard to tell in the photos, but the one on the left is brown, the one on the right is yellow. There would be lots of movement in it. Marc had the idea of putting an image like mine or his on the dangly bits. Dale remembered the image transfer sheets that all the artists are using these days: we could transfer a photo image like the winter tree directly to fabric, then cut it into shreds.

We talked about what to make the banners out of. Dale pointed out that if we made them out of muslin and painted them, it would be cheaper, we’d get the colors we wanted, and they’d be stiff as if starched (our other motif in MMH.)

Laura had run out of time to work on the hedgehog approximation. She left it at home, but will bring it next week.

Dale had brought in a Toast Head approximation:

Dale's Toast Head

The photo printout was sort of a cheesy stopgap, because he thought the sides needed to represent a stack of toast; otherwise we risked people thinking they were Bread Heads. But everyone liked the photorealistic approach. We will continue to explore that. Dale thinks the butter is too distracting; Mary Frances liked it. Mary Frances wants the chorus to be the Toast Heads, which is not an impossibility.

Mary Frances played with the Sunflower Carol Lee had re-approximated. She had some interesting new takes on things that could be done with them, including having just one sunflower per dancer/puppeteer.

We moved into discussion of the Inn: what will it look like? Marc had already posted some ideas previously on the Lacuna blog (here), and he had some sketches of Swiss Army knife-looking contraptions, which allowed various pieces of inn/set to fold out.

Dale whipped up a little model…

Dale's inn

…based on ideas he had while daydreaming during last night’s Masterworks concert. The two square, two-leveled platforms could emerge from the wings, unfold, then walls could pop up and unfold, with perhaps a pediment flown in, etc.

Dale also talked about an idea he had based on Marc’s ideas, wherein we provide frameworks and then the walls are puppeteered in and out. He suggested that for the May 3 performance, we could have the MMH bustling “from room to room” by having the rooms move around the MMH.

Marc then built an elaborate periaktoi with all kinds of flaps and foldouts. Periaktoi…

Periaktoi frontPeriaktoi front

…seen here in back view and front view (from hstech.org), are rotating triangular arrangements of flats. You paint a different scene on each face, then rotate them for changing scenery.

We thought this might be an easy way to do the Inn, at least for May 3. We’ll pursue it. Marc suggested doing the photorealism thing in a collage style, of architectural elements, not necessarily in a naturalistic manner, of course.

We have two more workshops until spring break, so we’re going to spend both of them creating the visuals for the projected version of Sun & Moon Circus. Bring your color, cut & paste supplies and play with us! You can download a PDF storyboard here.

What have I left out? Comments…

Day off from sunflowers (Day 220/365)

I decided to take a break from the sunflowers. That way, maybe I can revisit them with a fresh ear and learn where I can pare them down.

Instead, I did a great deal of playing with the 100 Book Club blog. I got the entire List (some 800 titles) exported from FileMaker Pro in batches (by AR™ reading level), sucked up into DreamWeaver and modified, and then copied to Drupal webpages. Tedius, but not difficult. So that’s done.

I’ve been working on examples of forums and comments, but that hasn’t turned out like I thought, and I don’t have time to play with at the moment: we have a dress rehearsal with Masterworks Chorale for tomorrow night’s concert.

Stuck on sunflowers (Day 219/365)

I worked again today on the sunflower waltz (as well as continuing work on documents associated with the May 3 performance), and I’m stuck. It just sounds bloated.

Maybe I just need to scrape it all away and try again, and this time trust my instincts to make it smaller and lighter. It can still sound Straussian (J.) without sounding Straussian (R.).

Yesterday, I guess because I donated to the American Friends Service Committee, I received their Quaker Action magazine. Nice small publication, and in the middle of it was a pullout sign:

For Peace

You can write some kind of ID on it, take a photo of you with it, and upload it to their website, www.friendsforpeace.org. Simple enough, and not nearly enough. Sort of the antiwar version of a “Support Our Troups” ribbon on your SUV.

Still, one does what one can.

Composer for peace

Do what you can. I think I shall put mine in my van window.

Update: You can see it posted here.

Hedgehogs (Day 217/365)

I had fun, fun, fun today: I began working with Sherry Lambert’s kindergarten class during their music block time, turning them into our adorable horde of hedgehogs.

First I explained that I was doing a play (that actually got some recognition and some excitement from two or three of them) and that I was going to invite their parents to let them be in it.

Then I showed them the book and read them The Man in the Marmalade Hat Arrives. They liked it, although I’m sure most of it went right over their heads, “incommodious load” indeed.

Then I showed them the hedgehog videos I had found on YouTube. We ooh’ed and aah’ed over the cuteness of the little critters. We discussed how they sniffed and waggled their pointy little noses, and we tried sniffing our neighbors. We observed how they walked, and finally we saw how they can curl up into the cutest little ball (and are even cuter when they uncurl.)

Then we went back to their mat and began to practice what we had seen. We sniffed, we waddled, we curled up and uncurled. Great fun was had by all.

I told them I knew Ms. McDonough (our wonderful music teacher) had taught them how to march, actually a good guess, and they all immediately showed me. I asked them to do it in slow march, and they did that.

Finally, we asked ourselves if it were possible, just possible, that we might be able to march like hedgehogs? Experimentation soon showed that it was, yes!, possible.

All in all, a fabulous day in Hedgehog Land.