Another project to work on (Day 126/365)

I didn’t get to work on any music today, this is driving me nuts, because first I had a meeting at school with some parents, and then I had decorating duty.

The meeting at school was a good one: parents of students who are going to try the 100 Book Club project. It was informational, to answer any questions they might have about the whole thing. I’m assuming that those who didn’t come have already checked out the web page I set up for answers.

So I was working on something creative, just not THE PROJECT I NEED TO FINISH UP AS SOON AS POSSIBLE!

I have nothing scheduled for tomorrow night. Maybe I can sneak in those last six measures of Milky Way before decorating duty hits.

Humbug. (Day 125/365)

I did not get the last six measures of Milky Way done. I did, however, get the Deer and Lava Flow™ display put up in the front yard:

Deer and Lava Flow display

But I do have a liberal rant, to wit:

The Times has an article about a memorial put up in northern California Here’s a photo.

Needless to say, people have gone nuts. One lady, whose son is at West Point and will be heading to Iraq after graduating next May, does not consider it a memorial. “The hillside is painful,” she said.

Another man called the display “a travesty” and said the people who put it up were “despicable and morally bankrupt.”

Why is it that any time anyone brings our Iraq casualties to our attention by individualizing them, the pro-war nutjobs go berserk? You would think that they would be pleased that everyone was honoring our dead, or at least they might pretend that’s what the memorializers were doing even if they weren’t.

But that’s not what happens. Every time someone reads out all the names of the dead or puts up thousands of crosses or stones or whatever, the überpatriots have a hissy. I just don’t get it. I mean, my elementary school has a big display in the front hall, with the names of all the soldiers from Coweta County who died in WWI, WWII, Korea, and Vietnam. Is that a “travesty”? Are we “despicable and morally bankrupt”? What if we added the names of soldiers from the first Gulf War? Or from this one?

What is the difference? I’m going out on a limb here and suggest that the pro-war nutjobs understand, even if they don’t admit it even to themselves, that our current Iraqi situation is itself “despicable and morally bankrupt,” and that calling attention to the deaths of the brave men and women who have given their lives in this debacle underlines that fact in ways that not even pro-war nutjobs can avoid. And they don’t like it. They like their country right or wrong, their wars just, and their dialectics black and white.

Thus they see every attempt to call attention to the nearly 3,000 troops who have died as an attempt to undermine the war effort, to stab their patriotism in the back and to paint the United States as a villainous imperial power. Somehow they never think that perhaps it was their patriotic duty to oppose this war in the first place, and if not in the first place, certainly by now. It should now be their patriotic duty to support our troops by making sure no more die in George W. Bush’s blunder, the worst foreign policy decision by any American President, ever. And when other people point that out to them, and to the rest of the public, they scream bloody murder. Because they understand that even if the memorial is absolutely sincere, it’s an intolerable intrusion of reality into their pony-based patriotism, and that’s what the rest of the world will see as well.

Some interesting headway (Day 122/365)

Tonight was the Masterworks concert, so that was going to count as my creativity for the day, and it was a very good concert, but then something unexpected happened.

After the concert, Ginny was supposed to meet up with her book club buddies for coffee, but she had read the invitation wrong, so we came home and got comfortable. Soon, though, Bette Hickman showed up looking for Ginny, and we all went out for a late supper. While Ginny changed back into clothes, I dragged Bette upstairs to hear Milky Way and to let her know we were going to move on this starting in January.

She liked the music, and over supper we talked about getting all the necessary ducks in a row. So the piece of the puzzle over which I had no control, i.e., the machinery necessary to procure space/funding/backing, is in place.

All in all, a very creative evening.

More CSS reading (Day 114/365)

I read more in my CSS books, and I’m beginning to get a handle on how this whole thing works.

However, I am also formulating a theory that just like all other technological tools, most of what it’s used for is irrelevant. I like, I prefer, well-designed sites, brochures, letters, etc., but while all the examples in the book and on the website itself are lovely, there is some level at which I just don’t see the point.

I guess my main quandary is I have no clue as to what I would redesign my website to look like. I mean, it’s got quiet, sophisticated colors, and the layout is plain vanilla, but honestly, what more would I need? All the real action is over here in the blog.

CSS reading (Day 113/365)

I spent a lot of today reading through two new books I bought on CSS: The CSS Anthology: 101 essential tips, tricks & hacks, and The Zen of CSS Design: visual enlightenment for the web.

The latter is devoted to explicating the contents of the website csszengarden.com, a pioneer in getting web designers to consider CSS as a design force. I had encountered it before, but never really needed to look at it in depth.

The concept is pretty interesting: the site has a single HTML file, and scores of approaches to that single page using CSS to lay it out. WARNING! TECHNICAL EXPLANATION AHEAD: HTML was originally developed to mark up research papers (and the web was originally developed to share research papers.) It was never meant to be a layout tool. Before long, the designers wanted layout capability, so frames and tables were developed, i.e., ways of chopping up your screen into little squares that your browser would reassemble to match what the designer wanted you to see.

However, we are all supposed to despise frames and tables now. (Actually, we’ve been despising frames for some years now. It’s hard to keep up.) Nowadays, CSS is what all the cool kids use to spank HTML into submission.

I’ve cheated in redesigning my main website by using templates provided by DreamWeaver. However, I’ve modified the template to meet my needs, and now I’m thinking about making it a little more elegant if I can figure out exactly what that might look like. From what I can tell on csszengarden, it’s all about using images as backgrounds. It’s all very complicated and, I’m afraid, time consuming. Still, I’ve had some cool ideas about the eventual William Blake website that I think will dazzle.

First, though, I think I’m going to redesign and rescue the production photos from Figaro. At the moment, they’re still in the old NCTC design, using tables. Quel recherché.

Small stuff (Day 108/365)

Because of social commitments in the evening, I was limited to two small things today.

One was the realization that the software I use to convert the .aiff file (Finale’s output) to .mp3 could probably add the reverb back in. It did, and now the Milky Way .mp3 file sounds a little more lush.

The other is sort of a continuation of something I started to do last spring when Lacuna was active. The New York Times constantly has theatre and dance reviews, of course, and often they have very exciting photos to go with them. Today I re-started my plan of clipping photos which have particularly interesting picturization or staging.

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Out of our minds (Day 105/365)

It’s a Monday, and that means Masterworks practice, so instead of even trying to forge another couple of measures out of Milky Way, I sat down to dig into Out of our minds: learning to be creative, by Sir Ken Robinson.

Nice long intro about the predicament we will find ourselves in if we keep de-valuing creativity in the educational process, and then the first chapter. Sir Ken has been involved in the field for a long, long time, consulting with huge firms and individual schools alike. This book is both a summation of the research and a call for action on the part of all involved: government, business, and education.

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No composition (Day 104/365)

Even though I didn’t write a single note today, it was still a creative day.

The Masterworks Chorale sang a little Christmas program on the Court Square this afternoon, and after it was over, Ginny and I were chatting with friends. On the spur of the moment we decided we needed to get together for dinner, and we mapped out who was bringing what.

I did the shrimp and grits, from a recipe from Natalie Dupree’s Shrimp & Grits cookbook, as well as cornbread. It was fun getting all that ready for preparation and having it come together: ready at the same time, cooked well, and delicious.

It’s fun to cook for friends and have plenty of wine/champagne and good food. It’s fun to have friends who can share and talk and laugh and be together.

That’s my creativity for the day: creating a meal around which friends can be together.

UPDATE: The other users on the Finale forums do not give me much hope about improving my playback. Even if the new MacBook Pros have more memory, the piece of the puzzle that is problematic is the Kontakt Player. Kontakt is a gigantic sequencer; Kontakt Player is a little version that other programs (like Finale) use to suck up sounds like Garritan Personal Orchestra for their own use. It seems that Kontakt Player has not been updated to work correctly on the Mac’s new use of Intel chips. (Intel Native, we call it.) In other words, even though Finale works fine on the new computers, Kontakt does not and has to be run under Apple’s emulator program, called Rosetta. Still slow, and still not good enough.

Some computer work (Day 101/365)

Today, still basking in the glow of our having retaken Congress, I began to think ahead to the future of the 100 Book Club.

Let me back up a bit. While anyone of any seriousness was working hard to restore progressive sanity to our government, I’ve been trying to establish an alternative to the Accelerated Reader™ program.

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