Labyrinth, 4/6/10

I stopped by my now-favorite supplier of stones, whose name I forget but who is out on Hwy 34 next to the tropical fish place, and picked up this:

I’m going to try to make it serve as the basis for the westpoint sculpture. The young woman who helped me pick it out said that they had a guy making oil lamps out of rocks like this, and he used a blowtorch to burn the rock away. It’s worth a try, unless my grinder has some kind of diamond wheel attachment. The depression only has to be a quarter of an inch, after all.

There’s still the problem of drilling holes into it and balancing the thing. Something tells me there’s going to be a third piece of rebar holding up the front edge.

In other news, all the ferns I planted last year are reviving, with the possible exception of the three southern wood ferns that went where the tree fell. They don’t seem to be putting out any new growth. But look at everyone else:

I wish I could get some clear pictures of the little painted ghost ferns. Those are delicately beautiful.

On the other hand, I think the cinnamon ferns over by the glider may have died. I know the Mexican male ferns that went by the entrance to the men’s loo did. And apparently I’m the only person in history known to have killed off ostrich ferns. I’ll plant some more and dare them to take over the southwest corner.

Worthlessness

The weather has been so gorgeous this week that I have been largely worthless in terms of creativity. I have come home, changed straight into kilt and sandals, and hit the back yard for some serious basking.

My plan is to use next week to work on my art, plus the herb garden and a little labyrinth work, so perhaps I can be forgiven for doing nothing at all this week. It’s been glorious.

In my defense, there is no better feeling than the warmth of the sun on your skin, and just now is perfect: warm sun, but not hot, and no annoying insects that require management. Just perfect basking weather.

The labyrinth is slowly reviving itself, looking greener and greener. The ferns have put forth fiddleheads and will soon be flourishing. The space welcomes.

Some days I’ve had quiet music playing. On others I just listen to the windchimes and the sound of the neighborhood. Sometimes I’ll catch up on blogs that are blocked at school. I’ve read an essay by Joseph Campbell that Jobie sent last week and annotated it. But mostly I’ve slept.

Somehow it seemed the right thing to do. You are always welcome to join me.

A manifesto

I found this Venn diagram on the intertubes this morning:

Not literally true, of course, but with spring break upon us, and then summer on the horizon, it just clicked for me.

See you in the labyrinth! I have an extra kilt or two if you like, and there’s always the sarongs.

Labyrinth, 3/27/10

I got busy this morning and completed the eastpoint:

I added the cowbells I bought in Senoia a couple of months ago. At first, I just used rope, but the weight of the bells pulled the rebar posts too far out of line. I added the copper pipe as a stiffener, and it not only works, it looks good. Here’s a closeup:

OK, so the photos don’t do it justice. But there’s Air complete. The only real point to complete now is West/Water. Perhaps during spring break.

This afternoon was so beautiful outside, I just basked in the sun. Well, I quaffed a couple of quaffs of Xtabentun. But the afternoon earned it. You should have been there.

Labyrinth: the westpoint

For at least a year now I have planned to use some leftovers from the construction of the labyrinth to build the westpoint focus. These are the bits of the paving stones that I lopped off to make the curves of the turns. I noticed that if I put them all together they’d form a nice stone circle.

I immediately desired to put them at the westpoint of the labyrinth, as a kind of gate to wherever the labyrinth leads. (As Craig pointed out, it might also be a gate leading in.)

As I’ve thought about it, I’ve been amassing stuff to help pull it together, literally: cables, ties, etc.. My plan is to drill a hole in each of the pieces and thread a coated cable through them to hold them in place. (I know I’ve talked about this before. I’m recapping.)

Until recently I haven’t been able to see exactly how I would mount/display this gate, but traipsing from point A to point B in Savannah last weekend gave me the time to meditate on it. Lest you think I am able to actually meditate, let me hasten to clarify: my thoughts were more or less “if we came across the coolest garden shop ever and they had exactly what I wanted, what would it look like?”

It would look like this:

I want a flat, table-like stone that either has a natural shallow basin in it or that I can grind one into. This gives me the water I need for the West’s element. The shallow nature will keep mosquitoes from using it as a breeding ground, because it’ll evaporate before they can spawn. Maybe.

I’ll drill holes in the table and through the circle and insert rebar through as standards. Under the table, I guess I’ll wrap wire or use epoxy or something to keep the table from slipping down.

The next question, now that I’ve decided what it will look like, is whether the circle stones (which are actually just concrete) are deep enough to have a rebar-sized hole drilled in them. I’m betting not. I’m betting I have to go find actual stones to do this with.

A quest!

Ah, spring break

Spring break approaches. (The iPhone says we have seven days, 21 hours, and change.) So it’s time, don’t you think, for us to discuss what I should focus on?

I thought about hitting the music hard, but I don’t really have anything to work on. I have a couple of things to get in the mail that week, but they’re already written. As for the 24 Hour Challenge, I may actually restart that tonight.

Last weekend in Savannah, I was inspired by the art, and I thought then that perhaps I should spend the week sketching and painting, just fulfilling that Lichtenbergian goal of producing as much crap as I can.

There’s also the herb garden, it will be time finally, almost, to plant stuff, so that’s a semi-major project I can take on. Actually, I bought lettuce today. It was on my schedule to do so, a schedule that was penciled in when it was supposed to be sunny today. Oh well. I’ve moved it to Saturday. But that’s only the lettuce. The bulk of the herb planting will have to wait.

And there’s always the labyrinth itself. I need to get serious about the westpoint focus. If I’m really bored, I may do a sketch tonight of what’s been bubbling up through my brain.

There’s also the revamping of the southpoint. I have to find copper sheeting in pieces wider than the one foot rolls available at the Hobby Lobby, however.

The eastpoint still needs some development. I have the white paper flags, and that was easy. (Note to self: pick up the rained-on wads of white paper before mowing…) But I also want to string a rope with the cowbells I bought in Senoia between the two poles. I was thinking about some kind of semi-elaborate pipe/cap thing.

So, to recap, here are our choices for my energies on spring break:

  • composing
  • herb garden
  • art
  • labyrinth

Discuss. Be specific in your desires.

Labyrinth, 3/6/10

I went to clean off the center today, I like to keep it pretty, and this is what I found:

Ha! A raccoon! This explains a lot: overturned pots, knocked over doodads, etc. I wondered how possums were making it around to every single clay pot and bumping into them all. Now we know. It was a creature with more manual dexterity and a lot more curiosity.

In other news, I went over to talk to the nice man who is renovating the house behind us. He is quite amenable to the idea of putting motion sensors on his security lights so that they don’t light up my back yard every night. Huzzah!

Labyrinth, 3/5/10

For some reason, once upon a time, someone left a little pile of extremely strong magnets in my media center. They’ve been sitting on my desk for over a year now, and the other day I had a scathingly brilliant idea.

You may recall that I’ve been puzzling over the eastpoint of the labyrinth, the element of which is Air. The problem is that the other elements admit of lowkey stations: a pile of rocks, a candle, a basin of water. But Air seems to need something that floats at least a little, and therefore must be far enough above the ground to catch the wind.

I keep thinking “flags,” but the idea of tracking fabric filmy enough to float and then leaving it to the mercy of the elements, getting stained and dirty and generally icky, was distasteful. I have a set of Tibetan prayer flags made of art tissue that arrived as a “free gift” from some alternative store I trafficked with, and I thought about those.

But then I was cleaning off my desk at school and came across these magnets. It occurred suddenly to me that I could combine all these concepts and solve the problem: get tissue paper (which floats and is expendable), cut it into flags, and attach it to the rebar now standing next to the eastpoint entrance with the magnets. Presto! Easy to do, easy to undo, and attractive to the eye.

Videlicet:

Now I can play with the concept: cutting different shapes, using rice glue to create longer pennons, different colors for different moods. The sky’s the limit, pun intended.

In other news, this morning I was looking out the den window onto the labyrinth and decided I would pave over (paving stones) the firepit area in a large circle. It would be practical in terms of fire safety, and the circle would be quite beautiful next to the labyrinth.

An unexpected answer

In Seattle last week, we drove over to Fremont, a yuppie/hippie enclave full of funky shops and publicly funded street art. In one of the funky shops, full of locally made jewelry, decorative items and paintings, I was amused to see yet another jeweler making things out of old typewriter keys. There was TAB and SHIFT and :; and all the whole QWERTY gang.

But then I was startled to see a key I had completely forgotten about: MARGIN RELEASE.

Wow.

For those who have never had to use an actual typewriter—we’re not talking about those slick last-generation numbers that were actually word processors—let me explain the MARGIN RELEASE key.

First, you had to set your margins by positioning literal metal tabs on the left and right on a bar behind the platen. You also set tabs on the same bar.

Back in the old days, you had to keep a calculation running in your head as to whether the last word you were about to type on a line would actually fit between where you were and the margin. The margin would simply stop you cold in your typing, midword, if you miscalculated.

(Am I remembering correctly? Or was the little bell actually set to go off before the actual margin to warn you?)

If you did miscalculate, you just had to slide the carriage over to start the new line and then remember to go back and manually erase the foreshortened word.

Unless…

Unless the word in question was short by only one to three letters. Then, depending on the character of the document you were typing, you could choose to press the MARGIN RELEASE key, which, you guessed it, released the margin and allowed you to keep typing.

Nowadays of course the word processor does all your calculating for you. You just keep typing, and when the word is too long, it simply wraps to the next line. We live in awesome times.

I was brought up short by this artifact from my past. It articulated suddenly for me recent aspects of my life that have puzzled me and others in my life. The labyrinth, for example, seems almost like a Close Encounters kind of endeavor. Why? my lovely first wife kept asking as I transformed our barren back yard into some kind of alien landing site.

Why indeed? “Why not?” is not of course any kind of answer. I could only respond that the pattern appealed to me in some way I could not explain, and in the event, it obviously appeals to others as a space of refuge, contemplation, even power.

But now I have more of a partial understanding and answer: it’s a margin release. It allows me to push that button and temporarily go beyond the margins of my quotidian existence, to connect with parts of the universe that unfortunately are not available to me during most of the daily grind. However, my hope is that someday, someday, I’ll get the hang of it, and I can just keep typing off the edge of the page.

So I bought the MARGIN RELEASE charm, hanging on a silly ballchain chain, to wear as a talisman on my new Utilikilt. Look for it soon in a labyrinth near you.